You love publishing,
but keeping up with everything is wearing you down.

Yes. We can take over the follow-ups, feedback, and scheduling with your existing writers, editors, designers, formatters, and narrators.

Please keep us copied into any conversations you have with them directly, especially about deadlines or revisions. That helps us plan around the same information and avoid missed updates.

It means we can manage up to four books in production at the same time. The 6-book plan allows up to six.

As one book finishes production, we can start the next. You may move through more than four or six books in a month, depending on vendor turnaround, revisions, and how complex each book is. Your payment is monthly.

One title counts as one book, even if we’re managing its Kindle, paperback, hardcover, and audiobook editions. A project with just Kindle and audio also counts as one book.

A translated edition counts as a separate book and uses its own production slot.

When every format we’ve agreed to manage for that title is finished, approved, and ready to upload.

For example, if Kindle is live but narration is still underway, the book keeps its slot. Once the remaining files are ready, we can start your next title. We still handle the agreed uploads, monitor submissions, and coordinate launch handoffs after that.

You pay the people creating your books separately. That includes your writer, editor, formatter, cover designer, A+ content creator, and narrator. We find and coordinate those vendors as part of your retainer. You approve who to hire and what to pay.

We prepare your manuscript for narration as part of the retainer. The narrator’s fee is separate. Ads management and review services are also paid separately to your chosen providers.

Yes. We help with ISBN purchases and registering your book details through Bowker for US publishers and Nielsen for UK publishers.

We can also help you record your work through Protect My Work and organize the resulting certificate. This creates a dated record of your work; it is separate from government copyright registration.

We handle the admin as part of your management service. ISBN purchases and Protect My Work fees are paid separately.

Your editor handles editing, proofreading, and fact-checking. Your formatter handles the interior layout and production files. We coordinate their work and follow up on corrections.

We also run an overall check using our AI-assisted workflow and review the publishing details, files, upload settings, previews, and live listings. This check can flag issues for your vendors to fix. It doesn’t replace a full editorial review. You approve the final files before upload.

If we can safely fix it in the upload-ready file, we’ll handle it. For example, a small page-number or margin correction may be possible without asking the formatter to reopen the source file. Larger changes go back to the appropriate vendor.

We clearly label the corrected upload file. The editable source file won’t contain that direct fix, so we keep both versions. For a future major revision, your vendor will need to carry those corrections into the source file too.

Share your upcoming titles and priorities at least a month ahead when you can, including any preferences for each book. That gives us time to prepare briefs and line up vendors.

We’ll collect feedback requests and decisions in one document so you can review them together. Send us one set of revision notes, and approve files and vendor payments promptly so the next stage can begin.

Ask us before adding the title. If we have capacity, we can arrange an extra production slot for a one-time fee covering that book’s production cycle.

We’ll confirm the fee with you before work starts. It is separate from your monthly retainer and does not become an additional monthly charge.